Referencing still life, yet purposefully wedged between the ‘Merz’ of Schwitters and ‘Der Lauf der Dinge’ of Fischli and Weiss. Awkward coming’s together of found and collected objects, set within the confines of the photographic frame. Part assemblage, part Objet Trouvé,  disparate objects are introduced, rearranged and sometimes reunited. The introduction of studio lighting adds a sense of theatre and the subsequent dialogue is elevated through an incongruous narrative, a cosmic alliance, evolving… almost.